Excapelabs

Tag: review

  • AFAIA Is the Cavite Deathcore Band That Wants to Set You Free

    AFAIA Is the Cavite Deathcore Band That Wants to Set You Free

    There is a line in one of AFAIA’s songs that stops you cold. “Some forgive and forget, more forgive and remember, most forgive and remind.” It is not a lyric trying to be clever. It is just the truth, laid bare, wrapped in something heavy enough to match the weight of it.
    AFAIA, the Cavite-based deathcore band formerly known as As Far As I Am, came back to the Philippine underground scene in 2025 with a renewed sense of purpose. Six songs in, a music video on the way, and a full album in the works, they are not easing back in. They are going all the way.
    This is their story.

    From Metalcore Roots to Deathcore Identity


    AFAIA started in 2017 under the full name As Far As I Am, shaped by the metalcore wave that dominated the local scene at the time. Bands like Killswitch Engage were in constant rotation, and the sound they built reflected that era.
    When they returned in 2025, something had shifted. “We wanted to be more honest with ourselves and finally show the genre that was really close to our hearts, which is deathcore,” the band shared. It was not a rebrand for visibility. It was a correction toward something truer.
    Deathcore remains one of the more niche corners of the Philippine metal underground. The fanbase is small. The path is harder. AFAIA knew this going in, and they went in anyway.

    The Name Still Means Everything


    Shortening to AFAIA was a practical move, but the meaning behind “As Far As I Am” stayed with them. The band described it as a philosophy rooted in equality.
    “You can only walk as far as I am,” they explained. “It means we all have our own journey and our own path in life. The goals may be different, and the paths may not intertwine, but at the end of the day, we’re all bound to the same destination.”
    In a scene where the pressure to break through fast is constant, that philosophy is grounding. Not everyone moves at the same pace. That is not failure. That is just life.

    The Sound: Aggression, Emotion, and Six Songs That Hit Hard


    Three of their deathcore tracks are already out. “Last Breath of Regret,” “Jester’s Demise,” and their carrier single “Berserker” are all available for free streaming and download across platforms. Three more are in the pipeline for release in the coming months.
    Their sound did not arrive overnight. “There wasn’t really one specific moment that triggered it. It was more of a slow build-up through the years,” the band said. Over time, the aggression, heaviness, and emotional intensity of deathcore became the language that fit them best.
    Every song is built collectively. No single composer owns the direction. Everyone brings riffs, ideas, structure, and emotion to rehearsal, and the song takes shape from there. New members who joined after the hiatus brought fresh energy that pushed the writing forward.
    “It’s really about collaboration and trust within the band. Tulungan lang talaga,” they said.

    On Writing “Parasito”: When Forgiveness Is Earned, Not Given


    Their debut single “Parasito” came from a real place. The song is about a mistake, and what follows after one. Not just guilt, but consequences. Not just apology, but the long, uneven road of what comes next.
    “We all know ‘Parasito’ is a song about a mistake, and how forgiveness is actually earned, not given freely,” the band said. “It has a very emotional context because it happens in real life. People make mistakes, and it’s not something that is easily accepted.”
    The layered line about forgiveness, “some forgive and forget, more forgive and remember, most forgive and remind,” came from watching how people actually handle pain. Not how they should. How they do.
    “‘Most forgive and remember’ — that’s very real. Even if you say you’re okay, the memory of what happened is still there. And ‘some forgive and remind,’ that’s when the pain is still present and it gets brought up again and again.”
    It is heavy. It is meant to be.

    Why All Their Music Is Free


    Every AFAIA release, past and present, is available for free download. No paywalls. No exclusive tiers. Just the music, open to whoever wants it.
    The reason is straightforward. “Our main goal is not to earn from the music itself. Our goal is to spread our music to as many people as possible. We understand that not everyone has the same capability or access, so we want our music to be as accessible as possible.”
    In a streaming era built around monetization, it reads as counterintuitive. For AFAIA, it reads as consistent. Music, they said, is something to be shared, not kept.
    You can stream and download everything on Spotify, Apple Music, and YouTube Music now.

    The Gig They Will Never Forget


    More than a hundred live shows into their run, across small stages, big events, and competitions, the one that stays with them most is not the largest. It is the most intimate.
    A small bar in Cavite. Everyone there was a friend. The applause was genuine. The energy in the room felt like something real.
    “Even though we’ve played bigger stages and more intense competitions, the most memorable for us are those kinds of gigs. Intimate shows where you’re playing for people who genuinely support you and are there for the music and the bond itself.”
    That says a lot about who AFAIA is as a band.

    What’s Next for AFAIA


    The next few months are going to be busy. A music video for “Berserker” is currently in production, with a target release around June. A full album is in the works, with the hope of dropping it before the year ends. More releases, possible additional MVs, and album-related live shows are all on the horizon.
    For a band that only returned to the scene months ago, the momentum is striking. Six songs written. Three released. A full project taking shape. And still, the message stays consistent: the music is for you, it is free, and it is coming.
    “Sana kasama pa rin namin kayo sa journey all throughout the way.”

    Conclusion


    AFAIA is not trying to go viral. They are not chasing a wider audience by softening their edges. They are making the heaviest music they know how to make, giving it away for free, and trusting that the people who need it will find it.
    In a scene still figuring out where deathcore fits, that kind of clarity is rare. They know who they are. They know what the music is for. And if their first run of songs is any indication, the full album is going to hit hard.
    Follow them. Download the music. Show up when they play Cavite. Some bands are worth being early for.

    https://open.spotify.com/artist/06n8pCAN3gl0awaeUEWwh5

  • SETSUNA Ignites Davao Mall Tour Finale with LOIS PH – Slap Armies and Dragons Unite

    When a tour ends on a high, you don’t just remember the music—you remember the energy, the faces in the crowd, and that feeling of being part of something bigger. For SETSUNA, their last stop in the Davao leg of their LOIS PH mall tour wasn’t just another show—it was a night where two worlds collided: the new wave of heavy music and the enduring legacy of one of the Philippines’ most iconic metal acts, Slapshock.

    LOIS PH: Carrying a Legacy Forward

    LOIS PH isn’t just a brand—it’s a name with deep roots in the local scene. Managed by the same team that put Dickies on the map in the Philippines, they’ve always understood that streetwear and music move together. Back when Dickies was just starting here, they made a bold move: choosing Slapshock—a young, hungry band at the time—as their first artist partner. That decision paid off, shaping not just the brand’s street cred but cementing its presence in the culture.

    Fast-forward to today, LOIS PH is building on that same formula: backing artists who embody raw energy, authenticity, and connection with the crowd. Which is why SETSUNA, with their relentless grind and growing following, was a natural fit for the brand’s mall tour.

    Bringing Lean Ansing into the Fold

    For the Davao finale, LOIS PH took things up another notch. They brought in Lean Ansing, Slapshock’s guitarist, to join SETSUNA on stage. The move wasn’t just about star power—it was about impact. SETSUNA had prepared Slapshock covers for the setlist, and having Lean there turned those moments into something electric.

    “Kaya sinama ni LOIS si Lean Ansing para yung impact ng Slapshock cover ng SETSUNA is mas ramdam,” the band shares. And it worked—Slap Armies and Dragon fans stood side by side, feeding off each other’s energy all night.

    The Setlist: Heavy, Tight, and Unforgettable

    The night kicked off with the band’s own material, a statement that they could hold the stage on their own terms:

    1. Hardin – Opening with precision and grit, the song set the mood: this wasn’t going to be a casual mall show; this was going to hit hard.

    2. Ahon – A rallying cry that got heads nodding and fists up.

    3. Harinawa – Melodic but charged, a breather before the storm.

    4. Dalangin – The crowd sang back, proving that SETSUNA’s originals are sticking with fans.

    Then came the moment the Slap Armies had been waiting for:

    1. Wake-up (Slapshock cover) – With Lean Ansing’s guitar cutting through the mix, this one hit like a wave. The crowd’s roar was instant.

    2. Agent Orange (Slapshock cover) – The energy doubled, with old-school fans reliving the chaos and new ones discovering why Slapshock’s songs still destroy live.

    From there, SETSUNA went into one of their most important new releases:

    1. Magliyab – Their collaboration with Lean Ansing. It wasn’t just played—it was unleashed. A fresh anthem that proved the old guard and the new wave can create something massive together.

    Closing the night:

    1. Silaw – Even as the last song, Lean stayed on stage, jamming with the band until the final note. The synergy was real—smiles, sweat, and noise.

    Beyond the Stage

    The energy didn’t end when the amps shut off. Fans lined up at the LOIS PH store for signings, photos, and quick conversations with the band. For some, it was more than just a meet-and-greet—it was the culmination of a personal tour. “Meron din mga fans na pinuntahan lahat ng mall tour namin,” the band notes. That kind of loyalty isn’t built overnight; it’s earned, one show at a time.

    Why LOIS PH and SETSUNA Work Together

    In many ways, the SETSUNA x LOIS PH partnership mirrors the early days of Dickies and Slapshock. It’s about recognizing potential, supporting the grind, and connecting with audiences in their own spaces. LOIS PH understands that the mall tour format isn’t just about selling clothes—it’s about building scenes in cities across the country, making live music accessible to fans who might not always get to see their favorite bands up close.

    For SETSUNA, it’s a chance to push their music further, to bring their sound to both hardcore fans and casual mall-goers who might just discover them by walking past the stage. And with each show, the line between fan and friend gets thinner.

    Looking Ahead: Manila Shows Incoming

    The Davao finale might be over, but the momentum isn’t slowing down. “Mall shows in Manila soon,” the band teases. If the Davao crowd is any indication, Manila’s in for something special—especially with the kind of energy that comes when SETSUNA and LOIS PH join forces.

    With Magliyab now part of their arsenal and Lean Ansing’s stamp of approval, SETSUNA steps into the next chapter with more fire than ever. And just like that first Dickies x Slapshock collab years ago, this feels like one of those moments people will look back on and say, “That’s when things leveled up.”

    Follow LOIS PH for updates on the Manila shows and exclusive behind-the-scenes from the mall tour. For SETSUNA fans—new and old—this is just the start.

  • Behind the Song “I Believe” by Prinsesani

    Behind the Song “I Believe” by Prinsesani

    I’m not a professional music critic, and I don’t claim to be an expert in songwriting or production. I’m just someone who loves music deeply—the kind that sticks with you quietly, until one day it feels like the words were written for exactly what you’re going through.

    “I Believe” by Prinsesani is one of those songs. It’s been sitting in my playlist for months now, even before the recent typhoons—Crising, Emong, and Dante—hit the country and left entire communities devastated. A week ago, as the skies poured relentlessly and news of destruction kept flooding in, I found myself going back to this track. Not for entertainment, but for something deeper—comfort, hope, and something solid to hold on to.

    This song isn’t flashy or overly complex. It doesn’t need to be. That’s the beauty of it. The melody is simple, gentle, almost like a prayer. And the lyrics? They’re raw and honest. Words like “I believe in You, even when I don’t see the way” hit differently when you’re walking through something dark.

    There’s a quiet strength in Prinsesani’s voice. She doesn’t just sing about faith—she lives it, breathes it through every note. You can hear the cracks, the surrender, the quiet determination to keep believing even when everything around you feels uncertain. That authenticity makes the song even more powerful.

    For me, this track came at the right time. These past few weeks haven’t been easy—not just because of the storms, but because of personal struggles that I’ve been carrying quietly. I won’t go into all the details, but let’s just say there were moments when I didn’t know what to pray anymore. I just needed something to remind me that God’s promises still stand, even when everything feels like it’s falling apart.

    And that’s exactly what this song did. It reminded me to hold on, to trust, even when I couldn’t see the outcome. “I Believe” became more than just background music—it became a declaration. A quiet, tear-filled one, maybe, but a declaration all the same.

    Music has a way of reaching into places we don’t even realize are hurting. That’s what this song did for me. So if you’re in a season where your faith is being tested, or you’re just looking for a song that feels like a warm hand on your shoulder, I can’t recommend this enough.

    Listen here:

    You don’t need to have the right words. You don’t need to be okay. Sometimes, just pressing play and letting the lyrics speak for you is enough.

    Let me know if you’ve heard the song too—or if there’s another track that’s helped you hold on lately. I’d love to hear about it.

  • ROCK REWIND at G Malolos: A Night Where Bulacan’s Indie Scene Found Its Home

    Last night at G Malolos Bar and Resto, something beautiful happened.

    It wasn’t just another gig. It wasn’t just another lineup of rising bands. It was a moment — a pulse — that proved Bulacan’s indie music scene is not only alive, but thriving, united, and finally finding a home it can truly call its own.

    Despite a gloomy start that morning — the kind of July rain that makes event organizers clutch their phones a little tighter — the skies eventually cleared. But our doubts didn’t. Hours before the first band was set to play, the question hung in the air: Will people even show up?

    At 8:00 PM, we got our answer.

    Like clockwork, people poured in. Fans, skaters, musicians, students, creatives, and longtime friends of the scene arrived in waves. In a matter of minutes, the empty tables filled, the bar buzzed with anticipation, and the lights of G Malolos seemed to glow just a little brighter.

    A Bar That Feels Like Home

    G Malolos Bar and Resto only opened its doors last May 4, 2025. In just a couple of months, it has grown into something more than just a venue. It’s slowly becoming the nucleus of a movement.

    Sir Melvin, the man behind G Malolos, wasn’t just looking to build a business. He had a vision — one rooted in the idea that Bulacan artists shouldn’t have to keep running to Manila just to be seen or heard.

    “Lumalayo ‘yung mga banda natin para lang makilala,” he said during a quiet moment between sets. “Pero bakit hindi tayo gumawa ng space dito mismo sa atin? Dito sa Bulacan. Sa Malolos.”

    That idea stuck with all of us.

    And last night’s ROCK REWIND, presented by GrooveLabs Productions and co-presented by Blast Beat Studio Armando, felt like the first proof that it can work.

    The Crowd That Stayed, Sang, and Sweated

    By 9 PM, there was barely space to move near the stage. The crowd wasn’t just present — they were with the bands. Singing back lyrics, raising phones, nodding in rhythm, even closing their eyes during guitar solos. You could tell these weren’t strangers — they were locals who understood the stories behind the songs.

    Some came from Malolos, others from as far as Meycauayan, Sta. Maria, Bocaue, Guiguinto, Balagtas, Calumpit, and Plaridel. Each town had its own wave of artists and supporters, all converging under one roof. G Malolos turned into a melting pot of musicians and music lovers — no egos, no hierarchy, just shared love for the scene.

    The Bands That Lit the Stage

    It would be impossible to talk about the night without mentioning the heart of it all: the bands. The lineup was stacked, with each act bringing their own sound, their own stories, and their own crowds.

    Leen PH opened the night with soft echoes and raw honesty, a sound that made the entire venue lean in. Amere followed with a set that felt like a scream and a hug at the same time — their blend of softness and grit made the crowd sway and shout in equal measure.

    Tahan brought a refreshing fusion of your favorite songs way way back. Like way way. ENAMEL filled the room with emotion-heavy melodies that lingered even after the music stopped.

    Rooftop Reveries and Forsomereason both gave the kind of performances that turn casual listeners into loyal fans — tight sets, clever songwriting, and a deep connection with the crowd.

    The Conflicts made sure no one stayed still — their energy shook the floor.

    Sumo Wrestling PH gave a performance that was part poetry, part protest — a reminder of how personal music can be. Camaraderie played with a kind of synergy that only comes from true friendship and shared passion.

    And there’s Captain Jack PH

    The band, known for their emotionally driven songwriting and relentless energy, played like it was their last night on Earth. With every scream, every riff, every beat, they told stories about pain, identity, addiction, and healing — all wrapped in metal and melody. They made the stage feel sacred.

    TRICK PRJCT and Ella. , loud, unapologetic, and full of swagger — the kind that leaves your ears ringing in the best way possible.

    More Than a Gig, It Was a Gathering

    When we started GrooveLabs Productions, we dreamed of nights like this — where the scene felt like a family, where artists didn’t feel like they were shouting into a void, and where the audience didn’t need convincing to care.

    We’ve knocked on doors, looked for business owners who believed in the scene as much as we did. Some listened. Most didn’t. Until we met G Malolos.

    Sir Melvin’s openness, patience, and willingness to listen to artists made all the difference. He didn’t just provide the space. He provided the belief.

    Now, G Malolos is hosting more productions. More events. More bands are reaching out. Word’s getting around.

    And maybe — just maybe — we won’t have to keep looking for Manila’s approval. Maybe we can build our own community here, strong and loud, in the heart of Bulacan.

    What Comes Next

    The success of ROCK REWIND isn’t just about last night. It’s about momentum. And this time, it’s pointing inwards, not outwards.

    Instead of asking who’s next to play in Makati? we’re asking who’s next to headline here at G Malolos? Instead of trying to blend in with bigger city lineups, we’re carving our own path. And last night proved that the audience is ready — hungry even — for more.

    There’s power in proximity. When the scene is here, in your hometown, everything changes. The gigs aren’t just performances — they’re reunions. The venues aren’t just stages — they’re safe spaces. The music isn’t just background noise — it becomes your story.

    Final Thoughts

    ROCK REWIND was more than a title — it was a reminder. That every band started somewhere. That every unforgettable song played for the first time in front of a small, supportive crowd. That before the streams and Spotify stats, there was a bar, a mic, a guitar, and a room full of people who just got it.

    And last night, at G Malolos Bar and Resto, we saw it all happen again.

    We saw Bulacan’s past, present, and future — all in one room. All in one night. And we’re just getting started.

    To every artist who played, every person who came, and every dreamer who stayed until the last song — thank you.

    The scene is alive. The scene is home.

    And it lives right here in Bulacan.

  • Breē: Dreamy Soundscapes, Midnight Drives, and Songs That Feel Like Shelter

    Breē: Dreamy Soundscapes, Midnight Drives, and Songs That Feel Like Shelter

    In a local indie scene that’s as restless as it is noisy, Breē offers something else entirely—an ambient, slow-burning sanctuary of sound. Their music doesn’t scream for attention. It waits. Patiently. Like a friend in the passenger seat of a quiet drive home. And when you finally listen—really listen—it’s like finding a letter you forgot you wrote to yourself.

    But make no mistake: Breē isn’t a sonic accident. It’s a band born from deliberate craftsmanship, unlikely influences, and a shared longing for stillness amid chaos.

    A Halfway House in Middle-earth

    The name Breē isn’t random—it’s Tolkien-inspired. “In Middle-earth, Bree is a halfway house to rest, find peace, find shelter,” shares Arian, one of the founding members. “We aim for our songs to be just like that.”

    Arian (guitars, vocals) and Paul (drums, vocals) were the first sparks of what would become Breē. They met back in 2013 at work, where their shared love for music led to the creation of the band’s first tracks: “Endless,” “Haze,” and “Dream.”

    Vincent, a friend of Arian’s cousin, came in next. He was a guitarist at the time but transitioned to bass after the original bassist had to bow out due to an injury. Later, when Breē was on the verge of signing with Offshore Music, they brought in Potch—studio colleague turned third guitarist—to complete the puzzle.

    Each member brought a distinct color to the Breē palette: Paul swayed to The Paper Kites and Turnover. Arian leaned into Turnover and Dashboard Confessional. Vincent was an OPM kid through and through, with a dash of Metallica, while Potch listed Hillsong as an influence.

    Put them all together and you get Breē’s signature blend: dreamy, ambient, and quietly intense.

    Signed, Sealed, Still Kind of Starstruck

    The band is now under Offshore Music and distributed by Sony Music Philippines—a feat that’s both an honor and a challenge.

    “It’s nerve-wracking because you know they’ll listen to every second,” they admit. “But it’s also food for the soul, because these are the same people who’ll say, ‘That sounds great.’ Sometimes.”

    It’s the kind of pressure that pushes a band to polish their sound while staying true to themselves—and that tension, you can hear it in their debut album.

    “A Dream of Sunrise”: A Lucid Reverie

    If Breē’s debut album, A Dream of Sunrise, feels like falling asleep to your favorite memory on loop, that was the goal.

    The band wanted to build something cohesive—like Turnover’s Peripheral Vision—an album where each track bleeds into the next, capturing their collective voice at a moment in time.

    “We just really wanted the album to encapsulate who we were and what we wanted to sound like,” they say.

    And while the ambient textures and cinematic layering weren’t part of the original plan, they emerged naturally. Vincent toned down his heavier roots to support Arian’s shimmering guitar work. Potch added flourishes that deepened the atmosphere, turning good songs into immersive experiences.

    Some tracks hit closer to home than others. “Sweet” is Arian’s love letter to his wife, written during a health scare. “Home” is Paul’s promise to his twins: that no matter how far they roam, they’ll always find their way back. “Paul wrote most of our songs,” they add. “But those two are special.”

    From Quezon City to Jambi, Indonesia

    While Breē’s music may not dominate the mainstream charts, it’s quietly making its way around the world.

    “We have 33 listeners in Jambi City, Indonesia? That’s surprising and definitely moving,” they laugh.

    They’re under no illusion about their niche appeal. “We just let the songs out and let them find their own audience,” they explain. “Just like how we found the music we love.”

    Here in the Philippines, listeners often tell them their songs are great for long drives. “Someone said they use it as lullaby music,” they recall. “We’re not sure if that’s a good thing or a bad thing. Hopefully, they’re not the same ones saying it’s good for driving—baka makatulog sila sa daan.”

    Still, for the band, those quiet moments of connection—whether it’s someone de-stressing in traffic or finding comfort at 3 a.m.—mean everything.

    Lights, Layers, Live

    If you’ve seen Breē live, you’ve probably noticed their immersive visuals—soft lights, abstract projections, everything moving in sync with their slow tempo.

    “Paul realized that the usual bar lighting doesn’t work for our music,” they share. “So we hired Spacedog to handle visuals so it’s not just one static spotlight on our faces.”

    Yes, part of the motivation was also to “hide Vincent’s beer belly,” but ultimately, the goal was to match their sound with a mood—visuals that extend the emotional reach of their set.

    Pre-show rituals? Nothing too rockstar. Just Coke Zero and a good meal. “If we get to the venue early enough,” they add.

    Dream venues? “All the local fests, of course,” they say. “But also SXSW in Texas, Coachella, Fuji Rock in Japan, Glastonbury in the UK. We can all dream, right?”

    Songwriting as Therapy (and a Bit of Reddit)

    When it comes to creating songs, Paul often brings in the skeleton—a near-complete track with chords and structure. Then Arian steps in, checking if the emotional tone matches the progression.

    “If the lyrics are a bit hopeful but the chords are dragging down, there’s a mismatch,” they explain.

    Potch, the most musically trained among them, throws in alternate directions. And Vincent? “Since he’s on bass now, he just waits for the final chords while browsing Reddit.”

    Creative blocks? They don’t force it. “We just leave it alone for months,” they say. Their upcoming single is one such case—a slow bloom that needed space to grow.

    Social media, while a necessary part of the game, is something they manage themselves. “It’s easy to stay authentic as long as you’re respectful.”

    The Next Chapter

    With A Dream of Sunrise marking their first major step, what comes next?

    “We have an upcoming EP later this year,” they reveal. “We’re not sure about touring just yet—our day jobs are keeping us pretty busy.”

    Collab dreams? Kyla, for one. “We think her voice would blend well with our ambient tones.” Also on the wishlist: Austin of Turnover. “And since she owns her masters now… Taylor Swift, maybe?”

    Lyrically, they want to go deeper—not just inward, but outward. “More of our feelings toward the people around us,” they say. “Especially the ones supporting us dearly.”

    To the Quiet Fans on Loop

    When asked if they had anything to say to the quiet listeners—the ones who don’t post or tag, but play the songs on repeat—Breē gets reflective.

    “We appreciate that you gave us the chance to be with you for around four minutes… which turned into more and more,” they say. “Hopefully we can see you live soon.”

    And if not? Breē will still be here. A halfway house. A shelter. A gentle, glowing sound waiting patiently for you to press play.

    Listen to Breē’s debut album A Dream of Sunrise on Spotify. Follow them on social media for updates on their upcoming EP and shows.

  • Meet LEM and the Part-Time Lovers: Manila’s Newest Indie Soul-Rock Collective Built on Chemistry and Chance

    Meet LEM and the Part-Time Lovers: Manila’s Newest Indie Soul-Rock Collective Built on Chemistry and Chance

    If you’ve ever stumbled into a live gig in Manila’s indie scene—maybe a dimly lit bar in Saguijo, or a tucked-away stage in QC—you might’ve already heard that voice. Soulful. Storytelling. Unshakably sincere. That’s LEM David, the singer-songwriter who quietly built a following with acoustic sets that hit harder than they should.

    But these days, Lem no longer stands solo under the spotlight. With a powerhouse ensemble of seasoned session players who’ve found unexpected chemistry and shared purpose, LEM and the Part-Time Lovers is fast becoming one of the metro’s most compelling live acts. Blending soul, indie rock, and that distinct Filipino emotional depth, the band doesn’t just play songs—they create experiences.

    And their story? It reads like a film script: full of chance meetings, mutual admiration, and a whole lot of heart.

    LEM and the Part-Time Lovers

    From Solo Sets to Soulful Sessions: How the Band Formed

    Long before “Part-Time Lovers” became a band name, Lem David was a solo artist hustling through the Manila music circuit. He’d often share stages with artists like Matthew Conanan, a familiar face in the same gigging circles. There was respect, sure—but the stars hadn’t aligned just yet.

    One night at Saguijo in Makati, Lem played a solo acoustic set that quietly turned heads—especially one. In the crowd was Kettle Mata, a respected session musician and producer who’d worked with some of the biggest names in OPM. After hearing Lem play, he turned to his bandmate Matthew Conanan and said, “We should produce that.”

    That simple moment kicked things off. Matthew reached out, teamed up with Lem, and from there, the first pieces of what would become LEM and the Part-Time Lovers fell into place.

    But LEM and the Part-Time Lovers wouldn’t be complete without the rest of the dream team. Ferdie Salamat, a bassist Lem met during another live gig, boldly told him: “Balang araw, magiging magkabanda tayo.” A second chance encounter made that promise real.

    Keyboardist Christian Tamayo was another musical match made in Manila. A session player with technical chops and emotional depth, Christian had played with Lem in the past and was invited to join the project.

    The final piece was Son Jurado, who responded to Lem’s open call for a drummer. The audition barely started when it became obvious—Son wasn’t just a fit; he was the sound.

    The Name Game: Why “Part-Time Lovers”?

    So, why the name LEM and the Part-Time Lovers?

    It began as an inside joke. Lem realized he was surrounded by musicians who all had their own separate gigs and careers. They were part-time lovers of the project—artists lending their time, talent, and heart when they could.

    But things changed.

    The chemistry was undeniable. The passion was real. What started part-time quickly turned into full-time commitment. The name stuck—both a tribute to where they began and a nod to the soul music tradition they carry.

    Musical Style: Easy on the Ears, Heavy on Emotion

    When asked to define their sound, the band doesn’t name-drop genres—they talk about feel. “Simple and easy to digest,” Lem says. It’s music that welcomes you in, sits you down, and tells you a story.

    Their tracks blend soul, pop, indie rock, and a hint of blues, yet still manage to sound uniquely theirs. It’s the kind of sound that feels familiar but new—a modern take on OPM storytelling.

    Their biggest musical influences? James Taylor, John Mayer, and Bamboo—artists known for heartfelt lyrics and unforgettable melodies. Locally, they look up to legends like Rico Blanco. But here’s the twist: they actively try not to sound like them.

    Instead, LEM and the Part-Time Lovers are carving out their own sonic space—somewhere between folk sincerity, pop polish, and indie experimentation.

    Songwriting That’s Honest—Even If It’s Fictional

    One surprising detail from the band’s interview? All their songs were written before they officially became a band.

    Lem, the principal songwriter, works with melody first—letting the tune lead, and letting the words follow. Lyrics come after, shaped by mood and music.

    But here’s the kicker: “All of our songs are about women,” Lem says, “but they’re all fictional.”

    That’s right. These aren’t breakup songs about real heartbreaks. They’re imagined stories—crafted narratives of love, longing, and what-ifs. And yet, they still feel deeply relatable. Because whether the story is real or not, the emotion is.

    Every song is a reflection of a mood, a moment, or a memory that could’ve been. And that, in itself, is a kind of truth.

    What Keeps Them Going: Goals, Dreams, and Gigs

    Right now, the band is focused on tightening their live performances and building more musical chemistry on stage. It’s about the groove, the sync, the flow. In their own words, their short-term goal is simple but powerful: “To be tighter as a band.”

    But make no mistake—LEM and the Part-Time Lovers are dreamers.

    They want to release a full-length album, go on nationwide tours, and, most importantly, connect with more audiences.

    “Getting the attention of the audience, especially live, is very important to us,” Lem shares. They live for those quiet moments between songs when the crowd is hanging on to every note. That’s when they know they’re doing it right.

    What’s Next for LEM and the Part-Time Lovers

    There’s a lot to look forward to.

    Their upcoming single, titled “WAGAS,” is set to drop this year—a track that promises to capture their signature mix of tenderness and groove. With more live gigs and fresh material on the way, now’s the perfect time to hop on the bandwagon.

    Want to hear them live? Follow LEM DAVID on Spotify, and keep your eyes on upcoming gig announcements. Whether it’s an intimate bar or a festival stage, you’ll want to be there.

    To Their Fans—Old and New

    To their loyal listeners, the band has one message: “Maraming salamat. Keep the music alive.”

    To new fans? Get ready to fall in love with music all over again. Whether it’s a song about an imaginary girl or a melody that makes you feel seen, LEM and the Part-Time Lovers are here to remind you that live music still matters—and that some of the best stories start in the most unexpected places.

    Stream their music, catch a live show, and stay tuned for “WAGAS”—because LEM and the Part-Time Lovers are just getting started.

    LEM and the Part-Time Lovers
  • Indie Dreams: The Passion, Struggles, and Silent Battles of Artists on the Rise

    Indie Dreams: The Passion, Struggles, and Silent Battles of Artists on the Rise

    In every late-night bedroom recording, on every small gig stage, and behind every independently released track, there is an artist choosing to believe—despite the odds. The indie music scene, especially in the Philippines, is not just an alternative route to mainstream success. It is a full-blown ecosystem powered by heart, hustle, and resilience. It’s where music meets identity, and where art becomes a personal revolution.

    Going indie is rarely a calculated career move. For many, it’s the only available path. With limited financial backing, no industry contacts, and basic home gear, independent musicians rely on creativity, consistency, and a deep need to be heard. A secondhand guitar, a budget mic, a laptop with free software, and the stories they carry—this is the usual starting point.

    Passion First, Always

    Every artist begins with a spark. Not the desire for clout, but a deeper urge to translate emotion into sound. Ideas don’t wait for studios—they come during jeepney rides, while lying in bed, or in between shifts. Songs often start as voice notes, hastily typed lyrics, or half-finished verses kept alive by memory. And while the rest of the world might scroll past their latest drop, they keep creating anyway.

    What drives them is not perfection. It’s honesty. Their songs aren’t always polished, but they’re real. And in that rawness lies their greatest strength. Music becomes an outlet, a mirror, a companion. It’s how they make sense of heartbreak, celebrate friendship, mourn loss, and process the chaos of growing up in a world that often doesn’t listen.

    The Work No One Talks About

    For every song uploaded online, there’s a story most people never hear. The artist who works a 9-to-5 and still rehearses late into the night. The one who edits their own video on a cracked phone. The one who learned how to use a digital audio workstation just to save money on studio fees. These artists wear many hats: performer, producer, social media manager, designer, promoter.

    Releases are funded by freelance gigs, sideline work, or scraped-together savings. Even a single gig means commuting, carrying heavy gear, setting up in unfamiliar venues, and performing for crowds that may or may not pay attention. It’s not glamorous. But it’s theirs.

    That’s the indie grind—unseen by most, but deeply felt by those who live it.

    The Silent Cost: Mental Health

    Beyond the craft lies the inner turmoil. Choosing art often means sacrificing stability, and that decision carries weight. There’s the anxiety of putting work out into the world, the sting of low streams after months of effort, the exhaustion of juggling responsibilities, and the fear of falling behind. There’s the mental math of how much longer one can keep this up—especially when society insists success should come quickly or not at all.

    These unspoken challenges can lead to burnout, isolation, and depression. For many, making music is both the cause and cure. It triggers stress, yes, but also becomes the lifeline. It helps process emotions when nothing else works. It becomes therapy in a world where actual therapy is often out of reach.

    The vulnerability that fuels songwriting is the same one that helps others feel less alone. In sharing their truth, artists create safe spaces not just for themselves, but for their listeners. They teach people that it’s okay to feel deeply, to fall apart, and to keep creating despite the ache.

    Community: The Real Engine Behind Indie Growth

    One of the strongest yet least discussed foundations of the indie scene is the sense of community. Success here isn’t built in isolation. It’s made possible by the people who offer support—friends who shoot music videos for free, fellow artists who promote each other’s work, organizers who open up spaces, and fans who follow loyally from bar to bar, post to post.

    This collaboration over competition mindset creates a ripple effect. It leads to more shows, better songs, and stronger confidence. It creates an environment where wins are shared, not hoarded. And in an industry often dominated by gatekeeping, this openness is revolutionary.

    Art in the Age of Algorithms

    Modern indie artists also battle another force: the pressure of digital platforms. While tools like TikTok, Spotify, and YouTube offer visibility, they come with new stress. Algorithms now influence which songs get heard, who gains momentum, and how long attention lasts. Suddenly, music isn’t just about the message—it’s about the packaging.

    Artists are forced to think like marketers. They plan content calendars, optimize their captions, track analytics, and jump on trends—all while still being expected to produce meaningful music. It’s a mental tug-of-war: how to remain authentic while chasing visibility. It’s easy to lose sight of the music in favor of metrics.

    But many are learning to adapt. Some choose to grow slowly, organically, focusing on building a real audience rather than chasing viral moments. Others balance both worlds, using strategy without compromising soul. Either way, success today requires more than talent. It requires digital literacy, emotional intelligence, and a deep sense of purpose.

    A Shared Formula: Passion, Persistence, Vulnerability, and Community

    Although there is no guaranteed path to success, a clear pattern emerges among artists who manage to thrive:

    • Passion fuels their drive.
    • Persistence helps them push through setbacks.
    • Vulnerability deepens their connection with listeners.
    • Community sustains them through the long haul.

    This formula might not lead to overnight fame—but it does lead to growth, impact, and sustainability. It shapes not just better artists, but better people.

    To the One Still Holding On

    If you’re writing songs in secret, releasing music with little fanfare, or wondering if your effort is worth it—remember this: the fact that you’re still showing up is powerful. Every verse you write, every story you share, every risk you take to put your truth out there—it matters.

    Success is not just about being seen by millions. Sometimes, it’s about being seen by one person who needed your song at the right time. Sometimes, it’s about proving to yourself that you can finish what you started.

    There are no shortcuts. No secret formulas. Just this: show up, speak your truth, and surround yourself with people who believe in your vision.

    Because the ones who make it are rarely the ones who had it easy. They’re the ones who kept going.

    And that’s how all great stories begin.

  • Butterfly Squid, Frozen Boba, and A Night Full of Laughs at Kraken Roll

    Butterfly Squid, Frozen Boba, and A Night Full of Laughs at Kraken Roll

    One night, with nothing but hunger and good company in mind, we ended up at the food park near Philippine Arena in Bocaue. It was alive in the best way—people lined up at food stalls, plastic chairs scraping against pavement, and the air thick with the smell of grilled meat and deep-fried everything. No music, just the raw clatter of conversations and orders being called out.

    Gino pointed us straight to Kraken Roll. He knew the owner from back in the day when music events and studio sessions were our weeknights. He didn’t have to say much—just mentioned giant butterfly pusit and we were sold.

    The wait was just enough to get us more excited. They were cooking the squid fresh, and once it hit the tray, it looked like something out of a food dream. Huge, fried to a golden crisp, and opened up like wings. I went for the Korean sauce flavor—spicy-sweet, thick enough to stick to the crunchy batter, and perfect with two cups of garlic java rice and a bit of mayo on the side. Each bite was soft and juicy on the inside, with a crunch that held up even after a few minutes.

    Aldi said it was his first time trying butterfly pusit, and by the way he finished his plate, it was safe to say it passed the test. He tried the soy garlic flavor, along with Paul, and both looked like they were ready for another round.

    After we ate, Aldi and I walked over to a nearby stall for dessert. We grabbed frozen boba—cold, creamy, sweet, and just the thing to wash down something fried. On the way back to the table, Aldi nearly lost control of his cup and spilled some on the table. We all cracked up, especially Ryan, the owner of Kraken Roll, who was nearby and witnessed the near disaster. One of those moments that makes the night memorable.

    As we sat back and finished our drinks, Paul and Aldi started throwing jokes around. Aldi even teased Paul about having a crush on Ryan, which turned the whole group into laughter again. We ended up swapping a few stories from our old music production days—late nights, stage mishaps, the usual chaos that used to feel like everything.

    It wasn’t just about the food, though the food was really good. It was the familiar faces, the shared jokes, and the way a simple night out turned into something more. If you’re ever near the Philippine Arena, swing by Kraken Roll. Try the butterfly pusit. Bring people who make you laugh. And don’t forget the boba—just hold on to it tight.

  • Northern Lads: The Journey to ‘Kislap ng Mga Alaala’

    In the heart of late-night jam sessions, endless lyric revisions, and shared dreams, Northern Lads carved their stories into melodies, turning their experiences into songs that speak straight to the soul. Their debut album, Kislap ng Mga Alaala, isn’t just a collection of songs—it’s a testament to their journey, their struggles, and the unwavering fire that keeps their music alive.

    From Humble Beginnings to Harmonized Dreams

    Dan (acoustic & vocals), Kein (lead guitar), Aldi (bass), and Son (drums) started like many indie bands—armed with passion, an old guitar, and a dream of making music that matters. Between day jobs, and the daily grind, they found solace in songwriting, using their music to capture the highs and lows of life.

    Their songs reflect real emotions—longing, love, resilience, and hope. Tracks like MK and Ikaw dive into deep emotions, while Paano Bukas? and Ahon speak to life’s uncertainties and the fight to keep moving forward. And then there’s Don’t Stop—a powerful reminder to hold on, no matter how tough things get.

    The Grind Behind the Album

    Recording Kislap ng Mga Alaala was no easy feat. The band spent countless nights perfecting each chord, experimenting with arrangements, and rewriting lyrics until every song told its story the right way. They worked closely with arranger D. Garcia and various collaborators, ensuring each track carried its own weight and meaning.

    Beyond the music, the band took an active role in the album’s production—from conceptualizing the cover art to planning the launch. Every detail mattered because this wasn’t just an album—it was their heart and soul, immortalized in sound.

    A Grand Album Launch with GrooveLabs Production & ExcapeLabs

    The journey to the release of Kislap ng Mga Alaala wouldn’t have been complete without the support of GrooveLabs Production, who played a major role in organizing the album launch. Their expertise in event production helped bring Northern Lads’ vision to life, making the launch a truly unforgettable experience.

    Meanwhile, ExcapeLabs took charge of multimedia, capturing every moment and ensuring that the album’s visuals matched the depth and energy of the band’s music. From teasers to live performances, their work amplified the reach of Kislap ng Mga Alaala, making sure it resonated beyond just the live stage.

    With the combined efforts of the band, their production team, and the unwavering support of fans, Kislap ng Mga Alaala isn’t just an album—it’s a movement, a shared experience, and a milestone for independent Filipino music.

    🎶 “Every memory, every heartbeat—relive the moments with Kislap ng Mga Alaala by Northern Lads. Now streaming on Spotify and all digital platforms!” 🎶

  • Kislap ng Mga Alaala: A Night of Music, Memories, and Magic

    Some nights just hit different. They leave you breathless, lost in the moment, and aching to relive every second. That’s exactly what happened last March 22 at The Bay Lounge, Plaridel, Bulacan, when Northern Lads took the stage for their Kislap ng Mga Alaala album launch.

    After two months of non-stop preparation—every Sunday spent in grueling eight-hour rehearsals at North Studio in Marilao—the hard work finally paid off. The energy was electric, the emotions were raw, and every note played felt like a pulse in the heart of the crowd.

    The night was made even more unforgettable with performances from Trick Project, The Coaches, Figvra, Ronald Mendoza, At Last, and Captain Jack PH, each act adding their own fire to an already blazing event.

    And then there were the special collaborations—because this wasn’t just a gig, it was a shared experience. Indie artists joined Northern Lads on stage, turning their songs into something even more magical. Brian Paras brought his soulful guitar work to Ikaw, Ronald Mendoza hyped up the crowd with PM is the Key, Mary Catherine and Dan Garcia made hearts flutter with their kilig-filled duet in Kasi Naman, and Genesis Sunga added depth with his guitar and tambourine on select tracks. They weren’t just guest artists—they were part of the moment, part of the story, part of Kislap ng Mga Alaala.

    And the crowd? Pure euphoria. Singing at the top of their lungs, hands in the air, riding the wave of every song like it was the soundtrack of their own lives. It was a night of memories in the making, a night where music wasn’t just heard—it was felt.

    But here’s the best part: Kislap ng Mga Alaala isn’t just a memory. You can relive it anytime, anywhere. The album is now streaming on all music platforms, so whether you want to revisit that epic night or experience it for the first time, just hit play.

    🎧 Listen now: Kislap ng Mga Alaala on Spotify

    Let the music take you back. 💙✨